Josep Maria Miró

Josep Maria Miró is the author of The Monster (2023, XXXII Jardiel Poncela Prize / XVIII Quim Masó Prize), Me, Trans (2023, VII Teatre Barcelona Prize – Local Musical Show), Remains of the Glowing Night (2021), La Majordoma (The Lady Butler) (2020), The Nicest Body Ever Seen Around These Parts (2020, National Prize for Dramatic Literature 2022 / XLV Born Prize / XXV Critics’ Prize), The White Room (2020), Temps salvatge (Wild Times) (2017, XXII Max Prize for Authorship), Olvidémonos de ser turistas (Let’s Forget about Being Tourists) (2017), Cúbit (Ulna) (2016), La travessia (The Passage) (2015, Frederic Roda Prize – XLV Night of Catalan Literature), Obac (Shady) (2014), Estripar la terra (Tearing Up the Earth) (2013, Autor Exprés Prize), Fum (Smoke) (2012), Nerium Park (2012, Jaume Vidal i Alcover Prize / VI Quim Masó Prize), El principi d’Arquimedes (Archimedes’ Principle) (2011, XXXVI Born Prize), Gang Bang (2010, Project T6 Teatre Nacional de Catalunya), La dona que perdia tots els avions (The Woman Who Always Missed Her Flight) (2009, XXXIV Born Prize 2009) and stage adaptations such as Sicalíptiques (2024), Reis del món (Kings of the World) (2023), Els homes i els dies (The Men and the Days) (2022), L’amic retrobat (The Recovered Friend) (2019), Neus Català (2015), Esperança dinamita (Dynamite Hope) (2015) and Com si entrés en una pàtria (As If I Entered a Homeland) (2010). His work has been translated into more than twenty languages and has done over one hundred premières worldwide. He is currently working on the final monologue in the Tríptic de l’epifania (Triptych of the Epiphany), a new original text for the 2026–2027 season, and an adaptation of Eloy Moreno’s novel Invisible for the company La Joven. Next year will see the first English-language première of one of his plays off-Broadway in New York.